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・ Symphony No. 3 (Arnold)
・ Symphony No. 3 (Bax)
・ Symphony No. 3 (Beethoven)
・ Symphony No. 3 (Bernstein)
・ Symphony No. 3 (Berwald)
・ Symphony No. 3 (Brahms)
・ Symphony No. 3 (Bruckner)
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Symphony No. 3 (Glazunov)
・ Symphony No. 3 (Glière)
・ Symphony No. 3 (Górecki)
・ Symphony No. 3 (Harris)
・ Symphony No. 3 (Haydn)
・ Symphony No. 3 (Ives)
・ Symphony No. 3 (Khachaturian)
・ Symphony No. 3 (Lilburn)
・ Symphony No. 3 (Lutosławski)
・ Symphony No. 3 (MacMillan)
・ Symphony No. 3 (Mahler)
・ Symphony No. 3 (Malipiero)
・ Symphony No. 3 (Martinů)
・ Symphony No. 3 (Mendelssohn)
・ Symphony No. 3 (Michael Haydn)


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Symphony No. 3 (Glazunov) : ウィキペディア英語版
Symphony No. 3 (Glazunov)
Alexander Glazunov composed his Symphony No. 3 in D major, Op. 33, in 1890,〔Taruskin, Richard (1996). , pp. 298-9. ISBN 0-19-816250-2.〕 and it was published by 1892 by the Leipzig firm owned by Mitrofan Belyayev. The symphony is dedicated to Pyotr Ilyich Tchaikovsky〔 and was first performed in St. Petersburg in December 1890 under the baton of Anatoly Lyadov. The symphony is considered a transitional work, with Glazunov largely eschewing the influences of Balakirev, Borodin, and Rimsky-Korsakov inherent in his earlier symphonies for the newer influences of Tchaikovsky and Wagner. Because of this change, the Third has been called the "anti-kuchkist" symphony in Glazunov's output (''kuchkist'' from ''kuchka'', the shortened Russian name for the nationalist music group The Five).〔Taruskin, 39.〕 He would tone down these new influences in his subsequent symphonies as he strove for an eclectic mature style. The Third also shows a greater depth of expression, most evident in the chromatic turns of its third movement, reminiscent of Wagner's opera ''Tristan und Isolde''.
==Instrumentation==
Woodwinds
:3 flutes (1 taking piccolo)〔
:2 oboes
:2 clarinets
:2 bassoons
Brass
:4 horns
:3 trumpets
:3 trombones
:tuba
Percussion
:timpani
:percussion
Strings
:violins
:violas
:violoncellos
:double basses

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